When it comes to French nu-metallers Smash Hit Combo, you’re always
in for a good time. Previous effort L33T cemented their video
game-influenced style and helped further propel their status in
native France, with versions in both English and French meaning there
was something for both domestic and international fans to enjoy. On
their latest Reboot EP, they’ve returned to their mother tongue,
but have shown plenty of progression that shows they don’t need to
change language for their appeal to be felt.
Opening track “Peine perdue” kicks off in classic Smash Hit Combo style, with rapid fire rapping from Paul Henry over djenty riffs and a neat injection of thrash influence. However, something new that hasn’t been such a prominent feature before has been the addition of clean vocals from Canda based compatriot Florent Curatola, drafted in for this EP, during the chorus. Curatola’s singing adds a whole new dimension to Smash Hit Combo and allows them to pursue much more melodic directions, which peak on middle track “Mirage”, that they may not have been able to attempt on previous outings.
Of course, Smash Hit
Combo are always at their best when they go heavy, such as on “Contre
courant” and the intense “Post dépression”. Guitarists
Baptiste Ory and Charly Wick know how to combine their djent,
metalcore and nu metal influences in a way that allows them to switch
between melodic, groovy and punishing almost seamlessly, and “Post
dépression” is a great example of how the more melodic oriented
Smash Hit Combo can still deliver juggernaut breakdowns that feel
anything but forced. The French language provides a flow that gives
Paul’s rapping a unique appeal to non-Francophone listeners, and
it’s something I always felt lacked when they went for English
versions of their songs in the past. The almost percussive nature
that comes from his machine gun lyrics mean that you don’t
necessarily have to understand the language to enjoy his performance,
and the juxtaposition against Forent’s singing and screaming
provide a slightly different approach to the rap metal/djent hybrid
popularised in the anglosphere by Hacktivist that feels a bit more
natural and free-flowing.
Of course, there
will always be detractors to this genre of music. Those who have
always felt that rap and metal don’t belong together will obviously
not find anything for them in here, while some older fans might not
appreciate the more melodic turn that Smash Hit Combo have taken on Reboot with the
prominent use of clean singing. Florent’s singing style, much more
influenced by metalcore and post-hardcore, might also be an acquired
taste for some, with his higher singing voice coming in sharp
contrast to the guttural harsh vocals and something not heard as much
in more old school nu metal. It’s a problem that also faced Spencer
Sotelo in the early days of Periphery, so it’s not unusual for fans
to be turned off by this singing style, but after repeat listens you
realise that it’s a perfect fit for what the band was hoping to
achieve on Reboot.
Overall, Smash Hit
Combo have shown that their tried and tested formula still has a few
twists and turns left in it. Having first formed in 2004, they’ve
seen movements come and go, from nu metal to djent via metalcore, and
have always looked to incorporate elements of these new scenes into
their established style, and this has allowed them to stay fresh
sounding on every subsequent release. Reboot continues this evolution
and, after a 4 year wait between this EP and their last album L33T,
one hopes that one doesn’t have to wait too much longer for their
next release.
Reboot is out now via darkTunes Music Group. Stream and download the EP below.
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